Four Frames
What DEPO does, told by one series: a person as they are, then make-up, then hair, then the magazine cover. The same four frames in four versions: aperture blades, a shutter you press, turning slats, and prints that land on a pile.
Cinematic & 3D
Scroll-driven scenes, depth, light and camera moves.
Relax
A nebula to breathe with: seven huge colour fields — azure, amethyst, violet, amber, blue haze — drift on slow sine curves, swell and fade on near-black, blurred so far that only colour remains, under a fine noise veil. No text, no controls.
Background study
The live DEPO header and footer with two empty screens between them, so nothing covers the site's animated background — soft green spots that fade in, drift to new places and fade out. Every setting of the animation is exposed and documented, with live controls at ?tune.
Orbit
The community as a constellation on a dark forest ground. Portraits and magazine covers circle the DEPO eye on two tilted rings that follow the pointer and the scroll, then unwrap into a grid of people. Choosing a role turns a second orbit; the close is a ring of faces.
Studio light
A dark photo studio where one warm key light does all the work. In the hero it follows the pointer and reveals the colour portrait over its dim copy, with a Warm/Cool, Soft/Hard console; below, faces walk through a fixed light and each value switches on like a lit set card.
Through the lens
The word DEPO set huge on deep green with a photograph inside its letters; scrolling flies the camera through the O until the studio picture fills the screen. Every later section opens through a round aperture, and an f-stop dial opens a role portrait.
Split
A fashion-house split screen. A soft-white editorial panel in Bodoni Moda changes chapter as you scroll while two columns of real covers and portraits travel in opposite directions beside it; choosing a craft brings its pictures back to colour.
The Stack
Thirty real magazine covers handled as paper objects in CSS 3D on deep green. A pinned pile lifts off the table, stands up and deals covers toward you while the magazine name is set huge beside each one; further down, a deck of every cover flips by drag, swipe or keys, filtered by title.
Cinematic
DEPO told as a film's opening sequence on a deep green-black ground. A scope shot dollies into a close-up, the cast wipes in as full-screen portraits with their names as credits, the values are chapters, and a credits roll ends on Join DEPO. A scene strip jumps between the 15 scenes.