Four Frames
What DEPO does, told by one series: a person as they are, then make-up, then hair, then the magazine cover. The same four frames in four versions: aperture blades, a shutter you press, turning slats, and prints that land on a pile.
Every page we tried for DEPO, one post each: what it is, how it was built, how it looks.
53 demos
What DEPO does, told by one series: a person as they are, then make-up, then hair, then the magazine cover. The same four frames in four versions: aperture blades, a shutter you press, turning slats, and prints that land on a pile.
The DEPO guest home with the logo opening and an in-page editor. Album admins choose and position photos, tune every animation of the page, keep the result as templates with their own links, and give a developer an exact list of the changes.
Five DEPO galleries as photo compositions that morph into each other — cards travel, new pictures wipe in diagonally, text rises line by line out of masks. The large card opens its gallery as a magazine issue: cover, contents, feature, spreads, quote, interview, next issue.
demo46's Connect page where every picture wears a frame or effect of its own — 100 numbered styles — with Like and Favourite in each corner and its style number after a 3 s hold; a Gallery block in the menu sets rows or grid (same card size) and all, none or one effect.
demo46's Connect page with a spotlight: the card under the pointer lifts and shows city · genre · issue while the rest of its row steps back into grey, and the rows fade out at the edge where more cards wait. Same rows / grid switch, same site sizes.