Saria Looks
Stylist profile on DEPO for Saria Casadi. Five look panels widen under the pointer, then the same looks stack as coloured cards with notes on each, followed by what is in the suitcase and who she worked with.
Every page we tried for DEPO, one post each: what it is, how it was built, how it looks.
65 demos
Covers and portraits first: walls, mosaics and grids of real photography.
Stylist profile on DEPO for Saria Casadi. Five look panels widen under the pointer, then the same looks stack as coloured cards with notes on each, followed by what is in the suitcase and who she worked with.
Photographer profile on DEPO for Kairos Levander. A fixed identity column stays beside one large picture per screen, with a filter, a running count, and lists of where the work was published and who it was shot with.
The DEPO guest home with the logo opening and an in-page editor. Album admins choose and position photos, tune every animation of the page, keep the result as templates with their own links, and give a developer an exact list of the changes.
Five DEPO galleries as photo compositions that morph into each other — cards travel, new pictures wipe in diagonally, text rises line by line out of masks. The large card opens its gallery as a magazine issue: cover, contents, feature, spreads, quote, interview, next issue.
Thirty real magazine covers start scattered in 3D around the headline and fly into one wall as you scroll. The wall filters by magazine, then the camera dives into one cover, which becomes the ground of the next chapter. Warm stone, deep green, Bricolage Grotesque.