Talinda Comp Card
Model profile on DEPO for Talinda Colman, built round a comp card that flips to show measurements. Then an offset parallax book, a month of bookable days and a list of published credits.
Every page we tried for DEPO, one post each: what it is, how it was built, how it looks.
65 demos
Pages that read like a printed issue: serif display type, pinned covers, page turns.
Model profile on DEPO for Talinda Colman, built round a comp card that flips to show measurements. Then an offset parallax book, a month of bookable days and a list of published credits.
Palisade magazine profile on DEPO as an ivory serif register. A centred masthead, sticky tabs for issues, open calls, team and about, and a list of issues where the cover follows the cursor.
Lucid magazine profile on DEPO. A pinned cover turns like a page through five issues while the ground takes each cover's tint; open calls open as rows; a mosaic of pages and the masthead close it.
What DEPO does, told by one series: a person as they are, then make-up, then hair, then the magazine cover. The same four frames in four versions: aperture blades, a shutter you press, turning slats, and prints that land on a pile.
Five DEPO galleries as photo compositions that morph into each other — cards travel, new pictures wipe in diagonally, text rises line by line out of masks. The large card opens its gallery as a magazine issue: cover, contents, feature, spreads, quote, interview, next issue.