Every page we tried for DEPO, one post each: what it is, how it was built, how it looks.
53 demos
The Connect page — partner and free magazines, people — laid out ten ways: vertical grids and stacks, and rows that scroll sideways under the mouse wheel.
The DEPO Connect page as cinema screens — a letterboxed banner, partners as 16:10 crops with the magazine name set huge across each card, wide FREE cards and a two-row People rail; the wheel scrolls the row under the cursor and the centred card is brighter.
The DEPO Connect page as feature + rail: every section is a large feature panel beside a horizontal rail; hovering or focusing a card crossfades it into the panel. Partners in one row, free magazines in two, people as portraits.
The Connect page as a newsstand at night: all 220 partner issues on a two-row shelf grouped by magazine, free titles in two rows, people in one. The wheel scrolls the row under the cursor; quiet controls sit inside each row.
The cleanest, product version of the DEPO Connect page and the reference rail engine — every section is one row (3:4 partner covers, smaller FREE cards, portraits); the wheel scrolls the row under the cursor, with quiet glass edge zones and a thin "03–06 / 56" progress line inside each row.
The Connect page as a premium kiosk at dusk: one lamp-lit walnut shelf per partner magazine with its issues fanned on it and leaning toward the cursor, free titles on an open rack, people as paper contact cards. All wrapping grids, no sideways scrolling.
