DUSK After Dark
DUSK magazine profile on DEPO, a dark poster page. The full-screen cover carries a giant wordmark, back issues run sideways under the wheel, and a red open-call panel counts down to its deadline.
Cinematic & 3D
Scroll-driven scenes, depth, light and camera moves.
Four Frames
What DEPO does, told by one series: a person as they are, then make-up, then hair, then the magazine cover. The same four frames in four versions: aperture blades, a shutter you press, turning slats, and prints that land on a pile.
Relax
A nebula to breathe with: seven huge colour fields — azure, amethyst, violet, amber, blue haze — drift on slow sine curves, swell and fade on near-black, blurred so far that only colour remains, under a fine noise veil. No text, no controls.
Background study
The live DEPO header and footer with two empty screens between them, so nothing covers the site's animated background — soft green spots that fade in, drift to new places and fade out. Every setting of the animation is exposed and documented, with live controls at ?tune.
Orbit
The community as a constellation on a dark forest ground. Portraits and magazine covers circle the DEPO eye on two tilted rings that follow the pointer and the scroll, then unwrap into a grid of people. Choosing a role turns a second orbit; the close is a ring of faces.